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TeenTix Arts News Roundup: February Edition

The Seattle Office of Arts & Culture (ARTS) is partnering with TeenTix to publish a round-up of arts and cultural events. The partnership supports and provides additional outlets for teen expressions in media. TeenTix programs create a place for teens to process, interpret, reflect, and think critically about the content they engage with through professional journalism and podcasting practice, and in-school arts criticism training. TeenTix and ARTS support and uplift youth voices in media to empower students while fostering future writers and content creators. Read more work by youth at teentix.org.

Take a peek at some of their recent features below:


The Vivid and Horrifying Films of Tsai Ming-liang

Review of Rebels of the Neon God and The Hole directed by Tsai Ming-liang at Northwest Film Forum

Written by TeenTix Newsroom Writer Milo Miller and edited by Teen Editorial Staff Member Daphne Bunker

A young man stands, looking apathetic while many other young men play on arcade machines.
Still from Tsai Ming-liang’s Rebels of the Neon God (1992), courtesy of Big World Pictures.

“Tsai Ming-liang has a knack for filmmaking. The Taiwanese film director knows just where to place the camera to get the perfect frame. He knows when to cut a clip to achieve the maximum effect of its weight and emotion. But most of all, he understands how to craft a compelling story with engrossing characters and little to no dialogue or music. He sets his films to a backdrop of ambient rain and city noises, achieving a feeling that is sometimes calming and sometimes tense the whole way through.”


Less of a Play, More of a Performance

Review of A Thick Description of Harry Smith (Vol. 1) at UW Drama

Written by TeenTix Newsroom Writer Lorelei Schwarz and edited by Teen Editorial Staff Member Kyle Gerstel

A Black man performs in a play on stage, with a spotlight on him and his hands joyously in the air.
Photo by Sunny Martini, courtesy of the University of Washington, School of Drama.

“When second-year UW graduate student Nick O’Leary pitched a show for the UW School of Drama’s 2023-2024 ticketed season almost a year ago, he was looking for a play with a unique form and relationship between performers and audience, and he found that in A Thick Description of Harry Smith (Vol. 1). To explain the show, O’Leary quotes the notes of playwright Carlos Murillo, with whom the cast was able to work during the first week of rehearsals: “This is less of a play, and more of a performance.” The play—or, rather, performance—is part of Murillo’s trilogy of Javier Plays, three scripts that draw from the work of little-known Colombian-American playwright Javier C.”


Discovering the Beauty of Czech Baroque Music

Review of Party Bohemienne at Early Music Seattle

Written by TeenTix Newsroom Writer Harlan Liu and edited by Teen Editorial Staff Member Audrey Gray

A white man plays the Basoon on stage
Nate Helgeson, courtesy Early Music Seattle.

“The Kingdom of Bohemia, now known as Czechia, was located in central Europe for more than a millennium and was a melting pot of cultural influences. Musicians would travel to and through this land-locked country, bringing with them musical influences from other countries such as Italy and Germany where Vivaldi and Bach reigned. Party Bohemienne, presented by Early Music Seattle and featuring the Seattle Baroque Orchestra, seeks to spotlight the compositions that came out of this rich musical society. Nate Hegelson, the director and bassoonist in the event, describes the musical event’s aim to highlight lesser-known Czech composers from the Baroque period.”


De/Reconstruction – How Positive Fragmentation Challenges High Art

Review of Positive Fragmentation at Bellevue Art Museum

Written by TeenTix Newsroom Writer Sylvia Jarman and edited by Teen Editorial Staff Member Aamina Mughal

A grid of illustrations in white frames on wall
Detail of DeLuxe by Ellen Gallagher, courtesy of Coco Allred

“The exhibit Positive Fragmentation, bearing the same name as Lippard’s theory, aims to the ideas she had outlined, showcasing over 200 prints by 21 contemporary women printmakers that demonstrate the sheer power of the medium, totally averting the preconceived notion that prints are incapable of being expressive and unique.

The exhibition is found on the third floor of the Bellevue Art Museum (BAM), a sprawling space lined wall-to-wall with prints from remarkable artists such as Betye Saar, Wendy Red Star, Louise Bourgeois, and many more.”


Read more arts and culture reviews on the TeenTix blog!