The AMP Artworks complete with Ribbon of Light Installation

June 15, 2022 by Erika Lindsay Leave a Comment

In partnership with the Seattle Office of Arts & Culture, the final public artwork of The AMP: AIDS Memorial Pathway Ribbon of Light by Horatio Hung-Yan Law, has been installed in Capitol Hill’s Cal Anderson Park.

Ribbon of Light is a series of three laminated and illuminated glass sculptures along a landscaped pathway adjacent to the main trail in the northeast corner of Cal Anderson Park.

Inspired by the words of poets impacted by the HIV/AIDS pandemic, the artworks of Ribbon of Light represent “pieces of the sky that have broken into sculptural fragments and fallen to the ground, allowing the illumination of our communal mourning and embodying the ephemeral, changing, and shifting nature of grief.”

“The AMP is one of the most significant collection of artworks to enter the city in recent years. The histories, stories, and people that the AMP represents are those who we need to elevate in our understanding of how they champion their lives and those of the people they love. The work of Horatio Law and that of the other AMP artists, individually, collectively, and through this amazing collaboration, is significant to the arts sectors and its diverse communities.”
Seattle Office of Arts & Culture Acting Director royal alley-barnes

Park visitors are invited to walk along the pathway and encounter the three sculptures – Monolith, Serpentine, and Lambda – that provide places of reflection and contemplation.

A dedication for the artwork is scheduled for Thursday, June 30, at 8 p.m. and will include short remarks by the artist, Gay City: Seattle’s LGBTQ+ Center, and the Seattle Office of Arts & Culture.

“Ribbon of Light as part of The AMP was intended as a place of remembrance and quiet contemplation, and I am excited to be able to welcome the community to interact with the new space and to discover the hidden messages within the sculptures.”
artist Horatio Law

The augmented reality app created for The AMP, which includes the other AMP artworks, soon to include Ribbon of Light, is now available to download. It provides a multi-layered experience of narratives, images, and interactive experiences around each of the physical artworks as well as a virtual tour. The Names Tree is an interactive AR tree that stands as a digital memorial to those that have been lost to AIDS as the deceased’s names are recited in perpetuity. The developer will be onsite at the dedication to help guide attendees in using it.

Horatio Hung-Yan Law was born in Hong Kong to Chinese parents and moved to the US at age 16. With this multi-cultural background, he has developed an artistic practice whose subjects include the Chinese immigrant’s experience, reinterpretations of cultural icons, trans-cultural adoptions, the Iraq War, and the current culture of consumption. His work often tackles weighty subjects with ephemeral and unexpected materials, creating quiet, conflicting, meditative, and evocative works.

The AMP: AIDS Memorial Pathway is a project that offers visitors opportunities for meaningful participation in the ongoing fight to end HIV/AIDS and discrimination that can arise in a community during a crisis. It will be a reminder of our collective need to be active, remain vigilant, and stand ready to fight scapegoating and discrimination however and whenever they may arise. A passionate group of volunteers and community leaders, including people living with HIV, people of color, and members of the LGBTQIA+ community, are working to make The AMP: AIDS Memorial Pathway a reality. The AMP: AIDS Memorial Pathway is supported by the City of Seattle Office of Arts & Culture, Seattle Parks and Recreation, the Seattle Parks Foundation, State of Washington, Gay City: Seattle’s LGBTQ+ Center, Pride Foundation, and individual donors.

FLOW: New Artworks Tell the Story of the Ship Canal

April 21, 2022 by April Jingco Leave a Comment

The Seattle Office of Arts & Culture (ARTS) in partnership with Seattle Public Utilities (SPU) has commissioned four local emergent artists to develop new art installations for FLOW: Art Along the Ship Canal. These temporary and permanent installations tell a visual story of the water and its relationship to the community. The installations are made possible due to SPU’s Ship Canal Water Quality Project and can be seen along the Lake Washington Ship Canal through August 2022.

Save Our Salmon by Tommy Segundo

On View in Fremont (NW 36th St. & Leary Way NW)

Tommy Segundo’s Save Our Salmon showcases salmon flowing down the man-made waterway, Fremont Cut, moving towards the moon. The canoe with a killer whale adorning the side represents the flowing of all living beings that depend on these waters. “Salmon numbers have declined dramatically,” shares Segundo, “and we all need to work together to replenish salmon runs.”

Kumi Hala by Toka Valu

On View in Ballard (24th Ave NW & Shilshole Ave NW)

In Toka Valu’s Kumi Hala, the shark greets salmon precisely where the salt (Salish Sea) meets the great blue slate (Pacific Ocean). Both are guided by ancestral wisdom planted long before either of them existed. It is why they both know and love the water deeply.

And depths I cannot see by Clare Johnson

On View in Wallingford (N 35th St & Interlake Ave N)

Inspired by memories from local seniors and self-identified community elders, Clare Johnson’s installation visualizes their personal experiences of water. Community elders responded to a variety of questions about early memories of water—from their relationship to Pacific Northwest waters to the ways water connects to their identities or perspectives.

Using direct quotes from the participants, the art explores their answers in more open-ended ways. Some pay homage to real places and things from individual memories, while others also imagine scenery that symbolize their perspectives.

“Between the quotes and countless layers of detail in the drawings, every community member who responded is included in the installation in some way—with each banner interweaving aspects of many different people’s experiences,” shares Johnson.

Trim Trail by KT Hancock & Sarah Elizabeth Terry

On View in East Ballard (NW 45th St. & 11th Ave NW)

When Trade Marx Sign, a 50-year-old Seattle sign company closed in 2020, artists KT Hancock and Sarah Elizabeth Terry salvaged leftover parts to create what is now Trim Trail. The materials are strategically arranged so that the threads combine to create a more dynamic, whole community.

“There is this little bit of history that is now incorporated into the building of something new,” shares the artists. “Inspiration comes from the interconnected network that is our waterfront neighborhood in Ballard.”

FLOW: Art Along the Ship Canal is an annual program that utilizes the construction fences along the Ship Canal Water Quality project as a backdrop to allow artists to showcase their unique voice and provide a changing gallery of experiences for those who walk, bike, drive along the Burke-Gilman Trail and throughout the area.

Artists were selected by a panel of artists, community members, and City staff. The project is commissioned with SPU 1% for Art funds.

New Public Artwork: Connected Community by Julia Harrison

April 7, 2022 by April Jingco 2 Comments

Bringing together themes of community and the power of solar energy, artist Julia Harrison, installed a new public artwork Connected Community at the Miller Community Center located on 19th Ave. E on Capitol Hill in mid-March 2022.

*Connected Community*, courtesy of artist Julia Harrison

Seattle City Light and Seattle Parks and Recreation recently installed a rooftop solar array and a solar microgrid at Miller Community Center. The microgrid will provide backup power to this important community center during electrical outages.

Organized by the Seattle Office of Arts & Culture (ARTS), Julia Harrison’s work Connected Community is a joyful wall sculpture created out of bent, riveted, and painted steel that includes symbols and designs connecting two main inspirations – the patrons and activities of the Miller Community Center and the solar microgrid. The artwork combines and celebrates these two powerful, complementary, and renewable resources: solar energy and community.

“Artist Julia Harrison understands connecting community to art. Her approach to integrating the Miller Community Center neighborhood into her artwork and design signals the depth of her engagement. Art exposes us to new experiences that we carry out into the world – art impacts our world view and Connected Community directly forges relationships between communities, businesses, and organizations in Capitol Hill.”
royal alley-barnes, Seattle Office of Arts & Culture Acting Director

A close-up view of the work reveals familiar shapes, including a set of hands, a volleyball, a book – while other symbols and shapes relate to community-identified references, such as a marigold flower for the center’s important Day of the Dead celebration, a rainbow referencing the LGBQTA+ community, and a ribbon representing the annual holiday gift exchange that occurs onsite. In developing this artwork, the artist’s intent was to create a piece that Miller staff and visitors could find something to identify with and discover new elements each time they engage with the sculpture.

“This project celebrates the Miller Community Center’s array of community services, and perhaps in some way also strengthens that community by encouraging patrons to linger thoughtfully in the heart of the building. I hope that I’ve made a piece that Miller staff and patrons will enjoy visiting again and again, and that each and every visitor will find something to identify within the design.”
Julia Harrison, Artist

Inspired and funded by the Seattle City Light % for Art Fund, Julia’s work also references the role of the solar microgrid. Throughout the day, sunlight from the windows above casts shadows that are continually in motion changing the artwork. The rainbow colors of the artwork are the prism spectrum of color, showcasing again the incredible power of light.

A closeup of *Connected Community*, courtesy of artist Julia Harrison

You are invited to see the work in person at the Miller Community Center, located at 330 19th Ave. E., with the open hours listed on the center’s website.

Julia Harrison recently relocated from Seattle to North Carolina, where she is a Resident Artist at the Penland School of Craft. Her focus as an artist and educator has long been on jewelry and sculpture, with an emphasis on low-tech carving processes. Julia is fascinated by the challenges and opportunities public projects represent; her new work in metal strapping explores influences, including Mexican filigree jewelry and antique cookie cutters on a magnified scale. Julia’s previous public sculpture can be seen at the Sacajawea Playfield in Seattle’s Maple Leaf neighborhood.

Artists bring life and design to Downtown Seattle

March 17, 2022 by April Jingco Leave a Comment

The Seattle Office of Arts & Culture (ARTS) in partnership with the Seattle Department of Transportation (SDOT) and King County Metro, commissioned three artists from Public Art Boot Camp alumni to create temporary art in the downtown corridor using out-of-service Real-Time Information Sign kiosks. Artists Angie Hinojos, Baso Fibonacci, and Naoko Morisawa transformed the decommissioned kiosks into art installations that line Third Avenue downtown. SDOT is working with King County Metro on longer-term plans to replace and update bus stop infrastructure in this area. There is potential to expand this project to a kiosk in Pioneer Square. We are working with the Preservation Board to determine interest.

“This project, reimagining transit infrastructure as art installations, illustrates how public art interprets and contributes to civic life. Artists bring vitality into our environment as they express our shared identities and histories.”
royal alley-barnes, ARTS Acting Director

This innovative public art project uses existing infrastructure as canvases for the artists to create personal and distinctive artworks giving viewers alternate perspectives on the urban environment. Each artist created one design that is installed at eight different locations. The three artists explored their heritage and histories in their artworks.

Angie Hinojos’ The Five Creations

Angie Hinojos drew from traditional Aztec beliefs for her installation, The Five Creations, 2022. It is a story of birth, destruction, hope, and the passage of time that illuminates our past and orients us toward the future.

Colorful Aztec patterns and imagery of corn and creatures. — *The Five Creations* by Angie Hinojos on the west side of 3rd Ave, north of Pike. Photo by Rebecca Johnson.

Naoko Morisawa’s Target Forever II

Naoko Morisawa’s installation Target Forever II, diptych, 2021, originates from her recent series of works, Target Forever, that is inspired by personal Target’s to live better and Major League Baseball Player and MVP star, Shohei Otani. The original works are created out of handcrafted, oil-stained wood and paper mosaic painting, including acrylic and washi.

Loose circular patterns radiating outward. — *Target Forever II* by Naoko Morisawa on the east side of 3rd Ave, north of Pine. Photo by Rebecca Johnson.

Baso Fibonacci’s Hop On

Baso Fibonacci based his installation, Hop On, 2022, on his own past growing up in the 90s and 00s downtown when Seattle was a ‘ride free’ area. The colors in his artwork are based on the color schemes of the buses he rode as a kid and young adult.

Geometric shapes in a limited palette of golds, oranges and black. — *Hop On* by Baso Fibonacci on the east side of 3rd Ave, north of Pine. Photo by Rebecca Johnson.

Freely accessible, public art humanizes our built environment, defines our space, elevates our communities, illustrates our history, and creates a sense of ownership and belonging. During the past two years, we have also seen how public art builds community and combats feelings of anxiety and social isolation.

The three artists selected for the installations are graduates of ARTS’ Public Art Boot Camp.

Public Art Boot Camp is a professional development and mentorship program for visual artists who are interested in the public art realm but have never done work in the field before. The upcoming 2022-23 Public Art Boot Camp will be a cohort model of 12 artists that will be paired with a staff mentor and participate in monthly lectures, workshops and meetings on a variety of topics throughout the year. Stay tuned for more information on how to apply for the 2022-23 Public Art Boot Camp cohort in the coming weeks.

The reimagination of the Real-Time Information Sign kiosks is a temporary public art project funded by SDOT’s 1% for Art Funds and administered by the Office of Arts & Culture.

Aaron T Stephan selected for Thomas Street Corridor Public Artwork

January 25, 2022 by April Jingco Leave a Comment

Written by Maija McKnight

Adjacent to the cultural hub of Seattle Center and under the shadow of the Space Needle, Thomas Street will be updated with a new design and significant pedestrian and bicycle upgrades in upcoming years. Thomas Street Redefined will create an important connection for people walking, biking, and rolling, linking South Lake Union to the Seattle Center. Artist Aaron T Stephan has been commissioned to be part of the design team and selected for the creation of a new public artwork at the site.

The new public art project — a joint effort with the Seattle Department of Transportation and Seattle City Light — will feature a multi-element artwork exploring the idea of “illumination” that will be integrated as part of the new design within the two blocks of Thomas Street directly East of the Seattle Center (between 5^th Ave N, Taylor Avenue and 6^th Ave N).

A selection panel of four professional and emerging artists — including members of the community — reviewed applications and interviewed finalists for this important Public Art commission. The panel selected Aaron Stephan based on his extensive portfolio and innovative approach. Much of Stephan’s work repurposes familiar items in new and unexpected ways that invite the viewer to interact. Stephan is specifically interested in using the length of the corridor for repeating artistic elements that crescendo as one walks or bikes through the area and up the hill. As he researches and participates in site visits and planning meetings, Stephan will be developing the concept through 2022 for installation that coincides with the completion of the project, which is expected in late 2023/early 2024.

About Aaron T Stephan

***Paths Woven***, Aaron T Stephan, 2018
Medium maple, claro walnut, and hanging hardware

Aaron T Stephan lives and works in Portland, Maine. His work presents a wry look at the world around him, focusing on the complex web of information carried by everyday materials and objects. This exploration has taken a dynamic array of formats including a twenty-foot high table and chairs, a shelter made entirely of books, and a series of drawings reproducing iconic artworks ad infinitum. For additional information about the artist, please visit his website .

Still Essential: Free Art to Celebrate Water and Light Stewards, Grocery Workers, and More

December 8, 2021 by April Jingco Leave a Comment

As the second year of the pandemic comes to a close and the holidays approach, we’ve all gotten ever clearer about what is essential: the warmth of home, the simple pleasure of being able to turn on the lights, fire up the stove, and cook a delicious meal. The pandemic has taught us that predictability is a luxury — and one that isn’t borne alone.

None of these activities are possible without essential workers – the utility workers, grocery workers, and countless others that make every aspect of our lives possible.

Jazmine William's poem, 'You Know Me, though you may never pause to see me, you know me. Like you know street lights, guiding you safely home. You know me like the heat of water, washing away the heaviest of days. You know me like you know miracles, so common and convenient. You hardly remember there is a human acting on your behalf of your needs. Though you may never pause to see me, you know me."

About Still Essential

With 1% for Art funds from Seattle Public Utilities and Seattle City Light, The Seattle Office of Arts & Culture (ARTS) and Amplifier have partnered to launch the Still Essential campaign, which aims to respect the dignity of laborers and honor those who continue to keep Seattle running smoothly during the ongoing COVID-19 pandemic — the garbage collectors, utility workers, small business owners, artists, delivery drivers, grocery workers, and teachers we call neighbors. Our goal is to flood Seattle with an eye-catching public art campaign celebrating its essential workers.

Still Essential is inspired by the portraits of essential workers captured during the pandemic by Seattle photographers and reimagined by Tacoma-based artist Paige Pettibon. Through art giveaways, large-scale projections, and wild postings in Seattle, the completed series of artwork strengthens our understanding that essential workers continue to support Seattle communities and maintain vital infrastructure. Photographers include:

Sunita Martini (photo of Terri K., cashier)
Jennifer Loomis (photo of Dinelle P., doctor)
Shann Thomas (photo of David W., maintenance worker)
Adam Jabari (photo of Israel G., utility technician)

Free Art

Starting on Tuesday, December 7th, this work will be distributed around town in the form of 6,000 wheat-pasted posters, as well as unique art giveaways and projections on Capitol Hill, at Columbia City Art Gallery, at Cafe Racer, at Columbia City Theater, at the Museum of Museums, and the Climate Pledge Arena.

Help remind your neighbors how essential workers are by downloading and sharing the free artwork created through this collaboration.

Learn more about what went on behind the scenes to bring the Still Essential campaign to life.

New Public Artwork in Delridge: “Delridge Know How” by Wowhaus

November 19, 2021 by April Jingco 2 Comments

The view while traveling along West Seattle’s Delridge Way SW just became a little different with the addition of new public art in three locations.

Created by the Wowhaus artist team Ene Osteraas-Constable and Scott Constable, Delridge Know How is a series of bronze stylized nuts and wrenches that sit prominently alongside Delridge Way SW for pedestrians, bus riders, and vehicular traffic to enjoy. Created in coordination with the upcoming Rapid Ride H Line, this new public art creates a new view along the busy corridor.

The artworks are located at three intersections, including Delridge Way SW and SW Henderson Street and Delridge Way SW and 18^th Ave SW (east and west sides of the street). Each of the three locations has a series of three sculptures that invite viewers to physically interact with and think about the history of the area.

In the development of the artwork, Wowhaus attended several community meetings, held impromptu focus group meetings on the 120 Metro Bus, hosted a site walkthrough with elementary students from Roxbury Elementary School, and delved deep into the history of the area through resources at the Seattle Public Library and Museum of History and Industry. From this engagement work, the idea for the artwork Delridge Know How was developed.

Delridge Know How recognizes that the foundation of any industry is human know-how and hard work. For generations, waves of immigrants from around the world have come to Delridge to find work and to make a home. Home to a wide range of industries in the past, including shipbuilding, brick making, flour milling, canning and fishing, and the steel mill that persists nearby to this day; Delridge has a rich history of blue-collar industry. A tight-knit, diverse, and hard-working community developed in Delridge, and the neighborhood is proud to continue its tradition of welcoming diverse immigrants to this day.

In a neighborhood that is rapidly changing and growing while continuing to welcome new residents, Delridge Know How captures the persistence of human ingenuity and know-how as new patterns of life and work emerge. A series of nine bronze large-scale nuts and wrench sculptures are integrated with low-maintenance plantings in three medians that herald the entry to South Delridge, inviting engagement and play while evoking the neighborhood’s history of industry and labor. Symbolically, both the nut and the wrench sculptures include repeating elements of a hexagon. The hexagon is the shape created by worker bees that create a series of hexagons in tandem in order to create a honeycomb, a form emblematic of collective community effort.

Scott Constable and Ene Osteraas-Constable have collaborated as Wowhaus for over 20 years, creating site-responsive art in public spaces nationwide. Wowhaus explores the common denominators of everyday life, the central question of how things, places, and relationships acquire meaning. They embrace a systems-based, community-engaged approach, finding inspiration in the cultural, historical, and ecological factors that shape a sense of place. Their artwork is oftentimes integrated into existing landscapes and specifically designed to inhabit a specific space, becoming beloved landmarks, icons, or touchstones.

Delridge Know How is commissioned with Seattle Department of Transportation‘s 1% for Art funds and administered by the Seattle Office of Arts & Culture.

FLOW: Art Along the Ship Canal 2021

October 26, 2021 by April Jingco Leave a Comment

The Office of Arts & Culture (ARTS) in partnership with Seattle Public Utilities (SPU) has commissioned local emergent artists to develop new temporary art installations for four locations in north Seattle. The project features four site locations in Wallingford, Fremont, and Ballard that make use of temporary construction walls and fences as part of the Ship Canal Water Quality Project.

This year, eight artists have created temporary works exploring themes of water, environment, and our human impact in and around the ship canal. ARTS is excited to present this year’s final four FLOW: Art Along the Ship Canal artists.

Salmon FLOW by Dozfy

Ballard – 24^th Ave NW & Shilshole Ave NW

Dozfy is a Seattle-based artist who explores stories, histories, and connectedness through his public artworks. Reflecting a balance of yin and yang, his art embodies planning and effortlessness, precision and flexibility. Dozfy has a degree in studio art from the University of Texas, and his artistic style is influenced by Chinese calligraphy, Japanese and American art, realism, comic books, Ansel Adams, and Jackson Pollock.

As part of the FLOW ship canal project, Dozfy has chosen to spotlight three local salmon species that have shaped history and culture in Seattle and the Pacific Northwest for thousands of years. Sockeye, Chinook, and Coho salmon are intrinsically linked to Ballard — roughly 75,000 pass through the Hiram M. Chittenden Locks. Ballard itself, home to an industrial working waterfront and strong maritime heritage, also reflects some of the defining characteristics of salmon. Like the keystone species, Ballard and the people who call it home are hardworking, determined, tough, and willing to meet challenges head-on.

Soak It Up by Shawn Parks

East Ballard – NW 45^th St. & 11^th Ave NW

Art does not need to be long-term. This is a “time will tell” project that responds to the stormwater upgrade through the Ship Canal Water Quality Project. The idea is for elements of our environment to be absorbed into the sponges over 6 months. They will transform starting out bright, fresh, and new. What goes into our water and environment is up to us. A visual reminder that everyone is always downstream from someone else. Hopefully, viewers will soak it up.

Convergence, Divergence by Christy Caravaglio

Fremont – NW 36^th St. & Leary Way NW

“My work is inspired by the geometry of quilting and textile patterns as well as the joy of working with yarn and fibers. The design of Convergence, Divergence was inspired by the idea that the water we use converges from many rivers and streams into our homes and then diverges again to drainage, treatment, and the broader sound.” – Christy Caravaglio

Oceans of Emotions by Lisa Liedgren Alexandersson & Kait Rhoads

Wallingford – N 35^th St & Interlake Ave N

“The title of our installation is a response to the pandemic and turbulent political times. As SPU is updating the drainage system through Seattle neighborhoods to reroute wastewater safely, Oceans of Emotion aims to free stagnant life force and release collective emotional blockage.” – Lisa Liedgren Alexandersson & Kait Rhoads

The artist team has invited Seattle residents to create miniature artworks responding to the phrase ‘Release and Embrace’ in words and drawings. The project is open for participation (digitally) until November 1, 2021.

These temporary works will be on view for six months and then be changed to feature new artwork and artists including Tommy Segundo, Toka Valu, Clare Johnson, KT Hancock, and Sarah Terry.

FLOW: Art Along the Ship Canal is an annual program that will use the construction fences along the project as a backdrop to allow artists to showcase their unique voice and provide a changing gallery of experiences for those who walk, bike, drive along the Burke-Gilman Trail and throughout the area.

Artists were selected by a panel of artists, community members, and city staff. The project is commissioned with SPU 1% for Art funds.

Public Art Boot Camp Class ’20-21 Culmination and Artwork Celebration

September 13, 2021 by April Jingco 1 Comment

In mid-2020, 11 emerging artists were welcomed into Public Art Boot Camp and for the past year participated in a series of trainings and planning, which has culminated in temporary art installations. The Office of Arts & Culture is pleased to celebrate their hard work by showcasing the artwork at both Seattle’s Lake City and Seattle Center!

Artists Amanda Lee, Baso Fibonacci, Damon Brown, Fumi Amano, Jacques Trautman, Jovita Mercado, Kamla Kakaria, Lynn Yarne, Micah Lawton McCarty, Nate Clark, and Sabina Haque currently have work on view and invite you to explore the two neighborhoods:

Seattle Center Art Walk and “Meet the Artists”
Saturday, October 2, 12 pm
Tour will meet and start at the Fisher Pavilion Rooftop

Lake City Art Walk and “Meet the Artists”
Saturday, October 9, 2 pm
Walking map and information available at the Lake City Library Plaza
Food by Gyros Lake City and Pho An, live music by Trío Guadalevín.
Walking maps, designed by Damon Brown, will be available for self-guided tours.

Download a PDF of Printable Postcards

Art Interruptions in Lake City

Our Excellent Ingredients, Amanda Lee

Our Excellent Ingredients celebrates the culinary knowledge and shared ingredients of the diverse cultures of the Lake City neighborhood. Start at the mural on 30th Ave and then walk to 27th between 125th and 130th to find five augmented reality (AR) pieces. 

Illusionary Planters, Baso Fibonacci

Illusionary Planters are three painted steel planters planted with native northwest plants installed in front of the Lake City library. Throughout the year they are there the plants will grow and change and the planters will rust.

Here Before Me, Damon Brown

This public art piece represents the history and neighborhoods that currently make up Seattle’s Lake City area — at the same time, honoring Seattle’s host tribe and our area’s only indigenous tribe, the Duwamish Tribe.

Namaste, Kamla Kakaria

Lake City has one of the most ethnically diverse populations in Seattle.  Embracing and celebrating that diversity I made this piece Namaste which is a Hindi greeting.  Welcome to Lake City!

Scan to See A Story of This Place: Lake City, Lynn Yarne

Places hold histories we sometimes cannot see. This project is comprised of Augmented Reality (AR) collage interpretations of six Lake City stories accessible through scanning signage throughout the neighborhood or by visiting www.astoryofthisplace.com. 

Orca – Wolf Transformation, Micah McCarty

Orca – Wolf Transformation, mounted the Traditional style Box that represents the wealth of the royal families of the Lake. In a tribute to the hereditary legacy and Living memory of the Lake “Lake Washington” and presented to the diverse community of Lake City with respect to indigenous relatives.

Windows on Lake City, Sabina Haque

Sabina Haque created two metal lattice sculptures that incorporate her 54 painted portraits of Lake City residents. The work celebrates this largely new immigrant community and crafts a beautiful artistic tribute to the neighborhood.

Sculpture Walk at Seattle Center

Resilience, Fumi Amano

The world is in the process of adapting well after facing crises such as COVID-19. Resilience not only helps us get through difficult circumstances, but it also empowers us to grow and even improve our life along the way.

Might be Going to Have Imagined This Place, Jac Oliver Trautman

The world is in the process of adapting well after I have heard the Duwamish are the Indigenous people of this land. It is written that the Duwamish do not exist. Look-

Los Trabajadores, Sus Apoyos, Y La Comunidad (The Workers, Their Advocators, And The Community), Jovita Mercado

These Loteria-style prints are centered on Washington state’s laborers and community organizers. This piece specifically commemorates Latinx field workers, Filipino cannery workers, and community activists that fought for workers’ rights and the security of BIPOC communities like Dulce Gutiérrez from Yakima and the Gang of Four from Seattle.

Inverted Pyramid, Nate Clark

Inverted Pyramid is a hand-tied net made of a 2-ply strand combining bonded nylon twine and hand-spun wool. The handbell suspended in the center of the piece rings as wind interacts with the installation.

Art Interruptions is an annual program funded through SDOT % for Art, while Sculpture Walk is funded through Seattle Center % for Art. Many of the scheduled trainings throughout this past year focused on topics specific to public art such as “how to develop a concept proposal” or “how to work with a fabricator.” Most of the content was recorded and is available online.

Boot Camp artists created and installed artwork through both Art Interruptions, an annual program that places temporary artworks in and around Neighborhood Greenways, and the Seattle Center.

Public Art Boot Camp was initiated in 2003 (known as the Emerging Public Artists Roster Program) to introduce artists to the idea and practice of public art and transformed in 2015 modified with the added goal to advance racial equity by centering artists of color and providing them the information and experience they needed to enter the niche world of public art.

New ‘UNION’ Art Exhibition Creates Opportunities for Public Art in Capitol Hill

July 13, 2021 by April Jingco 1 Comment

SeaLevel Properties (“SeaLevel”), Capitol Hill Arts District (“CHAD”), and Sensebellum have partnered to showcase public art in Capitol Hill through the ‘UNION’ project. Located on the corner of 10^th Ave. and E Union St., this new public art installation will feature a rotating, 60-foot tall projected art show curated by revolving guests on SeaLevel’s new Woodworth Apartment Building. The first art show will be held on Wednesday, July 14 at 9:45 p.m. and will continue every night at dusk throughout the year. Y ou can RSVP for this event on Facebook.

Woodworth Apartment Building, courtesy of The Capitol Hill Arts District

The first ‘UNION’ exhibition highlights local photographer and artist LeLeita McKILL. Selected by Capitol Hill Arts District, McKILL will display her photographs taken during the COVID-19 pandemic for Essentially Seattle, (originally commissioned by ARTS) along with her other work.

About Essentially Seattle:

Essentially Seattle is a Public Art Project featuring 25 artists who document essential city services in the time of COVID-19 and mandated restrictions on physical movement and gatherings. Partners for the project include Seattle Public Utilities, Seattle City Light, Seattle Fire, Human Services Division, and Arts & Cultural districts. The photographs highlight City frontline employees, at work, along with community essential workers, artists, and neighbors.

Diana Adams, owner of Vermillion Gallery

As part of the inaugural exhibition celebrations, all are invited to join the CHAD Steering Committee Members and McKILL for an opening celebration at Optimism Brewing on Wednesday, July 14 at 8 p.m. The group will then walk a half-block away to witness the inaugural unveiling of the exhibition around 9:30 p.m.

The ‘UNION’ installation will rotate every two months, with the current curator joining a panel of artists to select the next artist. Stay tuned for future art shows!

Art Beat Blog Office of Arts & Culture